COLLECT ORIGINAL ARIA AZUL ART
"All She Ever Was, Is, Or Will Be"
$250.00 USD
2019: 20" x 16"
Acrylic on stretched canvas.
Sides are painted black.
The painting is signed & dated on the back and finished with a matte varnish for protection.
-- VIBRANCY --
In my portraits of womxn engaged in their inner world / energy, I am trying to re-create a visual representation of what it feels like to be completely in tune, at home, safe, and comfortable in the body, mind, and experience of life. Feeling this way and exploring how, when, and where we move in and out of states of vibrancy and belonging while investigating the histories, stories, and beliefs that influence our sense of self in both positive and negative ways to produce works of beauty and/or well articulated grief is the primary goal of much of what I do. My highest hope is that we will all consistently touch the sweetness of experiencing our inherent vibrancy, beauty, power, humor, and joy no matter how many reasons we have to also grieve. Perhaps, the real work is finding our way home to ourselves and one another in direct reaction to all the reasons we are being told we can’t or shouldn’t.
COLLECT ORIGINAL ARIA AZUL ART
"All She Ever Was, Is, Or Will Be"
$250.00 USD
2019: 20" x 16"
Acrylic on stretched canvas.
Sides are painted black.
The painting is signed & dated on the back and finished with a matte varnish for protection.
-- VIBRANCY --
In my portraits of womxn engaged in their inner world / energy, I am trying to re-create a visual representation of what it feels like to be completely in tune, at home, safe, and comfortable in the body, mind, and experience of life. Feeling this way and exploring how, when, and where we move in and out of states of vibrancy and belonging while investigating the histories, stories, and beliefs that influence our sense of self in both positive and negative ways to produce works of beauty and/or well articulated grief is the primary goal of much of what I do. My highest hope is that we will all consistently touch the sweetness of experiencing our inherent vibrancy, beauty, power, humor, and joy no matter how many reasons we have to also grieve. Perhaps, the real work is finding our way home to ourselves and one another in direct reaction to all the reasons we are being told we can’t or shouldn’t.
DEVIN JANE
FEBBRORIELLO.
Screenwriter/Director + Producer
color theories Synopsis
On a January evening in 1994 while Charlotte (13) is engaged in her favorite imaginative pastime - ultimate living room dance party - her mother, Ruth, suffers a sudden and severe stroke. The family is promptly submerged into a crisis and Charlotte's childhood is instantly interrupted.
By the time the smoke clears, summer has begun and Charlotte's older sister Joan has been pushed into the role of caregiver. Meanwhile, Charlotte confronts the arrival of her first period without her mother to guide her. Joan teaches Charlotte the ins and outs of feminine hygiene products. But Charlotte is horrified by the idea of inserting a tampon into her vagina. She attempts to adamantly resist the changes happening in her life and body.
As the summer goes on, Charlotte visits her mothers bedside in search of hope and connection. But her mother is still healing and Charlotte must learn to seek the answers to her burning questions elsewhere. She attempts to gain insight from the priest at her church and her Grandmother. But as their answers fall short, Charlotte's perspective and beliefs are challenged and begin to evolve. This evolution of Charlottes perspective is poetically explored through the use of the visible light spectrum ROY G BIV. Each color represents a different aspect of Charlotte's changing sense of self and beliefs.
Ultimately Charlotte’s mother recovers enough to show her love and Charlotte steps into her new body and new sense of self as a teenager. The echoes of her childhood fall away completely as she overcomes her fear of inserting a tampon. The film ends with Charlotte fully embodied and transformed, and yet… life goes on, and new challenges will be met.
Filmed in Portland Oregon. Festival Circuit 2024.
Director's Statement
Color Theories is an experimental narrative short that explores grief and transformation through a poetic exploration of the Visual Light Spectrum and a realization of the depths of our interconnectivity within the fabric of reality. The story focuses on how first menstruation is a rite of passage for carrying the cycles of life and the questions that arise in our hearts when facing loss/change. Making this film allowed me to explore narrative storytelling experimentally without disregarding traditional story structure. There are two stories happening across the movie. One is the straight narrative that follows Charlotte as she grapples with her mothers stroke and her changing body. The other narrative is symbolic and follows an exploration of the color spectrum. Each color appears in the film in correlation with theories and folklore about how different colors interact with and motivate our experience of being human. The story begins with the color red reinforcing that we all came here through a woman’s body, and the film ends with violet, a color said to represent our inner vision and dreams for ourselves, one another, and all that may come to pass in our lifetimes. The symbolic narrative helps drive the emotional arc of the character.
The film investigates how some of the biggest challenges we are forced to face, are also often our most potent opportunities for cultivating wisdom and perpetuating growth. How can we stay centered within the challenges of our lives and ultimately expand instead of contract? Color Theories doesn't rely on stereotypical coming of age story tropes, but rather explores how wisdom is born during some of our most difficult and confusing experiences. Entering puberty is such a wild time where everything we knew in life is suddenly turned upside down. Beginning to menstruate, getting a bra, and inserting a tampon are new and bizarre challenges that young women face and overcome while their bodies transition. Like so many things in life, we have no choice but to walk straight into and through that transformation. First menstruation is just one example of a time when women face a total transformation. There are many throughout all of our lives. So although the film centers on puberty, Color Theories considers that "coming of age" happens multiple times across our lives.
This film is a semi-autobiographical recreation of my own coming of age experience. My mother suffered a stroke and complicated brain surgery the winter before I got my first period. Entering early adulthood during a family crisis had a unique impact on the trajectory of my life and work as an artist. During this time I questioned the traditional Religious beliefs I had been raised with and found solace in an emerging sense of our interconnectivity with one another, ourselves, and the natural world. Through my mothers healing process, I began to notice deep and subtle aspects of our individual presence, the details around me, the colors, the sweet smells in the air, and the way it felt to be in a body beneath the stars. I also began to realize that my mother, all of my family, and all people everywhere belong to a much larger story. I began to see that my body and all women's bodies were a sort of gateway to experiencing this collective story we share. These realizations didn't suddenly remove my grief, but it did teach me how to live with a new level of awe for everything and for everyone. This has stayed with me my whole life since. I think filmmaking is a unique medium that provides artists the opportunity to explore and express poetic aspects of life.
CAST
Charlotte: Jessica O'Connor
Joan: Audree Stephens
Jo Anne: Victoria Newbill
Catholic Priest: Dave Gay
Ruth: Leslie Crandell Dawes
Nurse 1: DJ Curtis
Nurse 2: Starly Gragson
Neighborhood Man: James Luster
CREW
Writer / Director / Executive Producer: Devin Febbroriello
Producer: Andi Hummel
Production Coordinator: Ashley Song
Script Supervisor: Chelsea Unsbee
Director of Photography: Joe Bowden
Editor: Dee Juliano Scott
Production Designer: Clif Chandler
Composer: Mel Guerison
Costume Designer: Jordan Hamilton
Gaffer: Nate Miles
Sound Design: Callie Day
Colorist: Darren Hartman
CREW
Steady Cam Operator: Nate Miles
1st Assistant Camera: Sam Sanchez
Best Boy: Armando Navarro
Key Grip: Joseph Matos
Dolly Grip: Ariadna Bates
Digital Imaging Technician: Darren Hartman
2nd Assistant Camera: Jesse Bettis
Production Assistant: Mahad Mohamed
Sound Engineer: Callie Day
Boom Operator: Autumn Bochart
Art Director: Starly Gragson
Art Production Assistant: Emily Hanson
Lifeguard: Matt LeDoux
SPECIAL THANKS TO ALL OUR SEED & SPARK SUPPORTERS
Corinne Sharlet, Dawn Jones Redstone, Video Is The Future, M. Sargis, Tim Williams, Eva Spirada, Alexander Morris, Connie Gamble, Jess Rufo, Caroline Chaparro, Kaitlin Oster, Adam Cornelius, Lex Helgerson, Sarah Perez, Cambria Matlow, Paula Bernstein, Sean Kp, Darcy Miller, Ryan Douglass, Troy Micheau, Lara Gallagher, Clawfoot Slumber, Timothy Neighbors, Jenna Conrad, Elisa Barrios, Liz Moughon, Sika Stanton, Alexis Rittenhouse, Will Walle, Sarah And Daniel, Peggy Guhn, Douglas Detrick, Andrew D Jones, Sara, Sage Fisher, Wil Kristin, Annette Hartman, Karina Ripper, Sam Sanchez, Alex Fox, Karlee Boon, Sarah Turner, Monica Dailey, Nik Hassinger, Emma Josephson, Natalie John, Denyse Forbes, Skyler Verity, Chelsea Unsbee, Beck Underwood, Annie Perkins, Luke Holtslag Simmons, Melina Coumas, Chris Serra, Tony Kieraldo, Michael Kang, Audree Stephens, Richard Morell, Kanon Havons, Eva Moss, Kat Mills Martin, Pamela Ju, Ricky King, Barra Brown, Jocelyn And Alec Steury, Aimee Lynn Barneburg, Ayal Alves, Andrea Kleine, Jeff Rowles, Hugo Paris, Caitlin Callahan, Gavin Brown, Alicia J. Rose, Carrie, Tammy Dean, David m worthington, Lizzie Mayes, Melissa, Amy Martino, Alexis Rittenhouse, Chelsea Smith, Irene Mynatt, Laura Veirs, Shannon Wolf, Scott Mahood, Colleen O'Neal, Tara Johnson-Medinger, Gordon Grdina, Sarah And Daniel, Kai Tillman, Jared Febbroriello, Eduardo, Beacon Sound, Noah Bernstein, Sophia Emigh, Jennifer Trail, Steven Jackley, Seb & Michelle, Julie Jon & Singer, Julie Nhem, Courtney Febbroriello, Jen Elkington, James Westby, Brook Martinez, Yaya Erin Rivera Merriman, Michael Roberson, Sanford Richard, Matthew Henderson, Vincent Pham, Rachel Bracker, Ryan Miller, Haley Thompson, Caspar & Dehlia, Leah Brown, T J Thompson, Roberta Cumbianchera, Aaron O'Neal, Lorin Benedict, Mat, TV cALvAREALisM, Jessica Daugherty, Bri Castellini, Marc Ripper, Lindsay Trapnell, Luke Zwanziger, Chad Sogas, Kamryn Fall, Ernest Anemone, Gee Stewart, Eli, Greyson Murray, Edward Coffey, Chloe Alexandra, Rea Diaz, Kavi Luis, Michael Gamble, John Febbroriello, Mary Jane and Jim Rokos.