COLLECT ORIGINAL ARIA AZUL ART
"All She Ever Was, Is, Or Will Be"
$250.00 USD
2019: 20" x 16"
Acrylic on stretched canvas.
Sides are painted black.
The painting is signed & dated on the back and finished with a matte varnish for protection.
-- VIBRANCY --
In my portraits of womxn engaged in their inner world / energy, I am trying to re-create a visual representation of what it feels like to be completely in tune, at home, safe, and comfortable in the body, mind, and experience of life. Feeling this way and exploring how, when, and where we move in and out of states of vibrancy and belonging while investigating the histories, stories, and beliefs that influence our sense of self in both positive and negative ways to produce works of beauty and/or well articulated grief is the primary goal of much of what I do. My highest hope is that we will all consistently touch the sweetness of experiencing our inherent vibrancy, beauty, power, humor, and joy no matter how many reasons we have to also grieve. Perhaps, the real work is finding our way home to ourselves and one another in direct reaction to all the reasons we are being told we can’t or shouldn’t.
COLLECT ORIGINAL ARIA AZUL ART
"All She Ever Was, Is, Or Will Be"
$250.00 USD
2019: 20" x 16"
Acrylic on stretched canvas.
Sides are painted black.
The painting is signed & dated on the back and finished with a matte varnish for protection.
-- VIBRANCY --
In my portraits of womxn engaged in their inner world / energy, I am trying to re-create a visual representation of what it feels like to be completely in tune, at home, safe, and comfortable in the body, mind, and experience of life. Feeling this way and exploring how, when, and where we move in and out of states of vibrancy and belonging while investigating the histories, stories, and beliefs that influence our sense of self in both positive and negative ways to produce works of beauty and/or well articulated grief is the primary goal of much of what I do. My highest hope is that we will all consistently touch the sweetness of experiencing our inherent vibrancy, beauty, power, humor, and joy no matter how many reasons we have to also grieve. Perhaps, the real work is finding our way home to ourselves and one another in direct reaction to all the reasons we are being told we can’t or shouldn’t.
DEVIN JANE
F E B B R O R I E L L O
CLEARING
Music Video: Dolphin Midwives
Dolphin Midwives (Official Music Video)
Director: Devin Jane Febbroriello
Director of Photography: Adam Cornelius
Producer: Chelsea Unsbee
Editor: Devin Jane Febbroriello
Color grade: Adam Cornelius
Production Assistant: Mike Gamble
Production Design: Devin Jane Febbroriello
Label: Beacon Sound
Studio: Desert Island Studios
Production Company: Devin Jane Studio
Winner of the Best American Music Video at the Prague Music Video Awards, Dolphin Midwives new music video for “Clearing” explores the layers of a transformative process through the element of water in a symbolic narrative that brings Sage from initiation, through clearing, and renewal. Working within the theme of the song, the video poetically portrays a process of release from abuse, control, and disempowerment as a result of the confines of the Patriarchy in order to embody a regenerated sense of empowerment.
I TRY
Music Video: Heather Woods Broderick
Heather Woods Broderick (Official Music Video)
Director: Devin Febbroriello
Cinematography: Devin Febbroriello
Cinematography for Microscopic Footage, Cloud Tank, Ripple Machine, & : Tracy Maurice
Editor: Devin Febbroriello
HMU: Jessica Hafer
Gaffer: Joe Bowden
Production Design: Devin Febbroriello
Production Company: Serpent Power Productions
April 2019 Premiere on Gold Flake Paint & Stereogum
"I Try" was released as the second in a two part series of music videos made through a collaborative exchange of concept and footage shared between filmmakers Tracy Maurice and Devin Febbroriello.
In the video for "I Try" we enter the waves and echoes of the dream landscape and follow Heather as she journeys through doorways and portals both within and without trying to make sense of the paradoxical nature of the realm she has entered. With a nod to the twists of a fairy tale and the revelations available to those brave enough to enter the rabbit hole the video was conceived along the Oregon coast, in studio, and combined with analog special effects techniques and microscopic filmmaking atmospheres by Tracy Maurice.
THEY WERE MINE
Music Video: Corinne Sharlet
Corinne Sharlet (Official Music Video)
Director: Devin Jane Febbroriello
Director of Photography: Edward Pack Davee
Producer: Ashley Mellinger
Producer: Corinne Sharlet
Gaffer: Joe Bowden
1st AC: Liz Moughon
AC & Grip: Holly Haney
Grip: Dee Juliano Scott
Editor: Dee Juliano Scott & Devin Jane Febbroriello
Color Grade; Adam Cornelius
Man in Black Hat: Mike Gamble
Production Design: Devin Jane Febbroriello
Label: Independent Release
Studio: Desert Island Studios
Production Company: Devin Jane Studio
The concept for They Were Mine was inspired by the sentiment of the song and serves as a symbolic look at what it feels like to take responsibility for our own shadows. We created a sort of Hitchcock, meets Twilight Zone, cinematic old Hollywood dream where our lead character takes us into a performative reality in which she ultimately confronts the entire spectrum of her being.
